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      <image:title>Biography</image:title>
      <image:caption>Phillip Breen was born in Liverpool and attended state school on Merseyside before studying Social and Political Sciences at Trinity College, Cambridge. He trained under Terry Hands at Clwyd Theatr Cymru. He is an Associate Artist of the Royal Shakespeare Company. He was given his professional debut by Philip Prowse, Giles Havergal and Robert David Macdonald at the Citizens Theatre in Glasgow at the age of 22, directing and adapting Brecht’s The Resistible Rise of Arturo Ui. Six further productions at the Citizens followed, including an award-winning True West by Sam Shepard which was praised by the author who was instrumental in its London transfer to the Tricycle Theatre in autumn 2014, and can be seen by clicking here.</image:caption>
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      <image:title>Biography</image:title>
      <image:caption>Phillip’s work has played at: the Citizens, the Royal Shakespeare Company, Clwyd Theatr Cymru (where he was director of new writing 2006-08), at Birmingham Rep, and at Theatre Cocoon Tokyo, at the invitation of Yukio Ninagawa. He has directed off-Broadway, as well as in the West End of London. His work has played all over the UK, Tokyo, Kyoto, Osaka, New York, Los Angeles, the Sydney International Theatre Festival, Adelaide, Canberra, Dubai, and through the streets of Assisi. His eclectic range of work encompasses opera, theatre, comedy, musicals, jazz cabaret, large-scale community theatre projects, new work and classics. He also regularly collaborated with Vivienne Westwood, for whom he directed and co-devised Homo Loquax, her London Fashion Week show in 2019. In 2016 he directed the York Mysteries in York Minster with a community cast of hundreds. In 2025 he directed Peter Mullan as Bill Shankly in his own adaptation of David Peace’s Red or Dead in Liverpool, and Natalie Dormer in the UK premiere of his adaptation of Anna Karenina at Chichester. His work has variously won or been nominated for the Edinburgh Comedy Award (formerly the Perrier), Fringe First, Critics’ Awards for Theatre In Scotland, TMA / British Theatre, What’s On Stage, Broadway World, Time Out New York, Off-Broadway Stonys, The Stage Award, The Holden Street Theatre Award, Yorkshire Culture Award, the Yomiura Award, among a host of awards and nominations in Tokyo.</image:caption>
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      <image:title>Biography</image:title>
      <image:caption>He made his Royal Shakespeare Company debut in 2012 with The Merry Wives of Windsor. This was followed up with a production of Dekker’s The Shoemaker’s Holiday in the Swan, followed by an award winning production of Richard Bean’s new play The Hypocrite and Vanbrugh’s The Provok’d Wife and The Comedy of Errors, in the RSC’s first custom built outdoor theatre during the Covid-19 pandemic, before transferring to the Barbican Theatre, all of which of were hits with audiences and critics alike. His production of Orpheus Descending by Tennessee Williams starring Shinobu Otake was a sell out hit in Tokyo and Osaka in 2015. Shinobu Otake received the 2017 Kinokuniya Individual Award for her performance as Blanche DuBois in his A Streetcar Named Desire. The role of Raskolnikov in Phillip’s production of his adaptation of Crime And Punishment was played by the late Haruma Miura, who won a host of Tokyo acting awards for his performance. He directed Shinobu Otake, Tadayoshi Ohkura and Yosuke Sugino in Long Day’s Journey Into Night, and in 2023 directed Rie Miyazawa in his adaptation of Anna Karenina. In 2025 he directed Shinobu Otake as King Lear in his new Japanese language adaptation of that play, made in collaboration with renowned Japanese playwright Kiuchi Hiromasu, the film of which was distributed by Wowow in Tokyo for television and cinema. He has created opening ceremonies for major cultural events at Windsor Castle, the Basilica of St. Francis in Assisi and in the United Arab Emirates. As a writer Phillip has written adaptations of Tender is the Night by F Scott Fitzgerald, Crime and Punishment by Dostoevsky, Anna Karenina by Leo Tolstoy, Lady Chatterley’s Lover by DH Lawrence, Rooftoppers by Katherine Rundell and an adaptation of Red Or Dead by David Peace.</image:caption>
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      <image:title>Biography</image:title>
      <image:caption>Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park.</image:caption>
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    <lastmod>2022-06-04</lastmod>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Pistol (Ged Simmons), Falstaff (Desmond Barrit), Alice Ford (Alexandra Gilbreath) and George Page (Martin Hyder). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Slender (Calum Finlay) and Simple (Thomas Pickles). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Sir Hugh Evans (David Charles) and Simple (Thomas Pickles). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Slender (Calum Finlay) and Anne Page (Naomi Sheldon). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Sir John Falstaff (Desmond Barrit). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Sir John Falstaff (Desmond Barrit). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Bardolph (Stephen Harper). Photo © RSC / Pete Le May</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Nim (Ansu Kabia). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Mistress Quickly (Anita Dobson) and Simple (Thomas Pickles). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Dr Caius (Bart David Soroczynski) and Mistress Quickly (Anita Dobson). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Dr Caius (Bart David Soroczynski) and Rugby (Obioma Ugoala). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Mistress Quickly (Anita Dobson). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Meg Page (Sylvestra Le Touzel). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Frank Ford (John Ramm) and George Page (Martin Hyder). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Shallow (David Sterne). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Frank Ford (John Ramm). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Mistress Quickly (Anita Dobson) and Sir John Falstaff (Desmond Barrit). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Mistress Quickly (Anita Dobson), Robin (Leon Finnan) and Sir John Falstaff (Desmond Barrit). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Mistress Quickly (Anita Dobson), Robin (Leon Finnan) and Sir John Falstaff (Desmond Barrit). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Mistress Quickly (Anita Dobson) and Sir John Falstaff (Desmond Barrit). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Ford disguised as Brook (John Ramm) and Bardolph (Stephen Harper). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Falstaff (Desmond Barrit) and Ford disguised as Brook (John Ramm). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Rugby (Obioma Ugoala) and Dr Caius (Bart David Soroczynski). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Dr Caius (Bart David Soroczynski), Host of the Garter Inn (Simeon Truby) and Rugby (Obioma Ugoala). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Shallow (David Sterne), Dr Caius (Bart David Soroczynski), Host of the Garter Inn (Simeon Truby) and Rugby (Obioma Ugoala). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Dr Caius (Bart David Soroczynski), Rugby (Obioma Ugoala), George Page (Martin Hyder) and Sir Hugh Evans (David Charles). Photo © RSC / Pete Le May.</image:caption>
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      <image:caption>George Page (Martin Hyder), Host of the Garter Inn (Simeon Truby), Frank Ford (John Ramm) and Dr Caius (Bart David Soroczynski). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Robin (Leon Finnan) and Meg Page (Sylvestra Le Touzel). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Meg Page (Sylvestra Le Touzel) and Robin (Leon Finnan). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Meg Page (Sylvestra Le Touzel). Photo © RSC / Pete Le May.</image:caption>
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      <image:caption>Design by Max Jones; lighting by Tina MacHugh. Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Alice Ford (Alexandra Gilbreath), Sir John Falstaff (Desmond Barrit) and Meg Page (Sylvestra Le Touzel). Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
      <image:caption>Mistress Quickly (Anita Dobson) and members of the company. Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Merry Wives of Windsor - Photographs</image:title>
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      <image:title>The Shoemaker's Holiday - Interviews - Pre-show talk</image:title>
      <image:caption>Phillip Breen talks to writer and broadcaster Paul Allen about the contradictions of class, rags to riches and high heels. He also responds to audience questions about casting David Troughton in the role of Simon Eyre, and how Thomas Dekker and William Shakespeare write about the working class. Recorded in the Swan Theatre, Stratford-upon-Avon, 17 December 2014.</image:caption>
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      <image:caption>Design by Max Jones, lighting design by Tina MacHugh. Photo © RSC / Pete Le May.</image:caption>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Joel MacCormack and Michael Hodgson. Photo © RSC / Pete Le May.</image:caption>
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    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Vivien Parry and David Troughton. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763503122-COVF55XQC3W1UK30EP9J/15_SHM0248_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Design by Max Jones, lighting design by Tina MacHugh. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763503129-CLOWFCR2J0QH49JU5AJ7/16_SHM0257_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Sebastian Dibb and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763504714-58ASZEBZO6L1OK7C4DJM/17_SHM0262_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Josh O'Connor and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763505509-9K54LS3CHS3046RSOGUU/18_SHM0264_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>The Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>The Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Thomasin Rand, Vincent Carmichael and Josh O'Connor. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Thomasin Rand, Vincent Carmichael and Josh O'Connor. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763512110-WXTQZI5VS27PFXGCGE49/22_SHM0276_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Heddyd Dylan, Laura Cubitt, Michael Hodgson, Daniel Boyd, David Troughton and Joel MacCormack. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Josh O'Connor. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763515393-0WMOBXHNLPHKSGRNB5NJ/24_SHM0379_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Ben Allen and Daniel Boyd. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763518859-JY9V5GGAIVQHQUOAYCC5/25_SHM0383_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Heddyd Dylan, David Troughton, Laura Cubitt, Vivien Parry, Charlie Bygate, Tom McCall and Joel MacCormack. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Ben Allen and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Andrew Langtree. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763528125-JQHWEAGXJUEAZ6F5BAP8/28_SHM0409_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>William Gaminara, Josh O'Conner and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Sandy Foster and Thomasin Rand. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Joel MacCormack, David Troughton and Tom McCall. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Sandy Foster. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Jamie Wilkes. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton and Vivien Parry. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton, Ben Allen and Jack Holden. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>William Gaminara and Jamie Wilkes. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763537693-RBNEJRPQYO5D3BUCDDGI/37_SHM0553_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Ross Armstrong and Thomasin Rand. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Sandy Foster, Ross Armstrong and Thomasin Rand. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Jamie Wilkes and Heddyd Dylan. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Heddyd Dylan. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Laura Cubitt. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Joel MacCormack and Vivien Parry. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Joel MacCormack and Vivien Parry. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763575127-A86OABK23XPA7JCUKM6Q/44_SHM0639_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763570145-UH4F53HLMLCMNEAAGZRB/45_SHM0645_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Joel MacCormack. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763571686-1U2JWIFZJ3Z7796L0KKI/46_SHM0649_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Charlie Bygate. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763572492-7I4YZZXK6NMQ9MWA5KFB/47_SHM0659_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>William Gaminara, Ross Armstrong, Thomasin Rand, Michael Grady-Hall, Ben Allen and Vivien Parry. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763576045-4Y403FENWYBX0D8370TP/48_SHM0668_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Josh O'Connor and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Josh O'Connor. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Michael Grady-Hall. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763581225-MRX4PUK16JHYWWY183N4/51_SHM0726_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Josh O'Connor and Thomasin Rand. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>William Gaminara. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763588627-FRJ91Q4CK54LCU3YIWXB/53_SHM0765_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Joel MacCormack. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Vivien Parry. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763589083-FTWWCO5ULC8F5BVGVSXQ/55_SHM0771_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Tom McCall and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763592301-XWFQB2BNZUF7QDCF01Q6/57_SHM0806_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Heddyd Dylan, Tom McCall and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Heddyd Dylan. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763599603-OTD632I37Q0FDCUHQTYT/59_SHM0830_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Michael Grady-Hall, Jamie Wilkes, Joel MacCormack and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Andrew Langtree. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Jack Holden. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763611908-63BZ28QY0EDCL3OJC0C3/63_SHM0895_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton, Vivien Parry, Tom McCall and Joel MacCormack. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763606476-16WY2EZZ8GTE8QWLMYWF/64_SHM0922_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Ben Allen, Josh O'Connor, Thomasin Rand and Jack Holden. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763610670-9SQAIA294Z252PFAG2KO/65_SHM0928_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>William Gaminara, Jack Holden, Josh O'Connor and Vincent Carmichael. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>Ben Allen. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763611115-5ON38DEI67T6WFB9P8HR/67_SHM0935_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
      <image:caption>David Troughton and the Company. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1600763608507-20QNS0ZB8RHLULEL31Z0/68_SHM0939_RSCPeteLeMay.jpg</image:loc>
      <image:title>The Shoemaker's Holiday - Photographs</image:title>
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      <image:caption>Trouble and Shame by David Ireland, Òran Mór</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606765316375-XLVXQBZ9KLX7A55E76CB/im-hans-christian-andersen.jpg</image:loc>
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      <image:caption>Rachel Rose Reid: I'm Hans Christian Andersen</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1607716394599-1NB48VSWS25489K1ZF8S/the-promise-.jpg</image:loc>
      <image:title>Director</image:title>
      <image:caption>The Promise, Union Theatre, London.</image:caption>
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  <url>
    <loc>https://www.phillipbreen.com/merry-wives-windsor</loc>
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  <url>
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    <loc>https://www.phillipbreen.com/the-shoemakers-holiday</loc>
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    <lastmod>2020-12-05</lastmod>
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  <url>
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    <lastmod>2020-12-05</lastmod>
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  <url>
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    <lastmod>2020-12-05</lastmod>
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  <url>
    <loc>https://www.phillipbreen.com/homo-loquax</loc>
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  <url>
    <loc>https://www.phillipbreen.com/crime-and-punishment-reviews</loc>
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    <lastmod>2020-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605886633500-P8P03YUANVN04VLFES65/01crime-and-punishment-WOWOW-Awards.jpg</image:loc>
      <image:title>Crime and Punishment - Reviews</image:title>
      <image:caption>WOWOW Best Drama 2019 Award winner. WOWOW best Performance 2019 Award winner, Haruma Miura. Voted for by Tokyo theatre audiences.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605886631309-7AZR28NX3C0O8D2GUXI9/02crime-and-punishment-nihon-keizai-shimbun.jpg</image:loc>
      <image:title>Crime and Punishment - Reviews</image:title>
      <image:caption>“Powerful and impressive ensemble play” The Nihon Keizai Shimbun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605886635643-BDAHTMADF8AK20W8PM2X/03crime-and-punishment-yomiuri-shimbun.jpg</image:loc>
      <image:title>Crime and Punishment - Reviews</image:title>
      <image:caption>“Faithful to the novel, but the uniqueness of this production is that we can follow the journey with Raskolnikov’s five senses…” Hiroshii Sugiyama, The Yomiuri Shimbun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605886633449-HA5BA7UCZQO7JHHFWNN1/04crime-and-punishment-japan-times.jpg</image:loc>
      <image:title>Crime and Punishment - Reviews</image:title>
      <image:caption>“We witnessed the birth of a dynamic and beautiful theatre production… the production acheived a miraculous result” The Japan Times</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/travels-with-my-aunt-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605895090818-XGCCCLKJ4QV2EBVCW93U/01travels-with-my-aunt-sunday-herald.jpg</image:loc>
      <image:title>Travels with My Aunt - Reviews</image:title>
      <image:caption>“Under the fine directorship of Phillip Breen…this is the most vibrant production currently appearing on the Scottish stage” Mark Brown, Sunday Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605895089153-HHHEFMSTE9SW7LUOGDKR/02travels-with-my-aunt-scotsman.jpg</image:loc>
      <image:title>Travels with My Aunt - Reviews</image:title>
      <image:caption>“Magical…witty and perceptive…sleazy and joyful” Joyce MacMillan, The Scotsman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605895092971-1GOWN3VP8A5EWQ3LBZYB/03travels-with-my-aunt-herald.jpg</image:loc>
      <image:title>Travels with My Aunt - Reviews</image:title>
      <image:caption>“The most deceptively subversive dissection of society’s mores you’re likely to see…we need a legion of Aunt Augustas to shake us in to choosing life again” Neil Cooper, The Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605895093967-M0DEMX3PQWZPPOROTI06/04travels-with-my-aunt-the-stage.jpg</image:loc>
      <image:title>Travels with My Aunt - Reviews</image:title>
      <image:caption>“Breen’s direction captures both the humour and the increasing darkness of the second act...entertaining and provoking in equal measure” Gareth K Vile, The Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605895086550-4IAAH6ZO153Z0IJCDELP/05travels-with-my-aunt-reviews-hub.jpg</image:loc>
      <image:title>Travels with My Aunt - Reviews</image:title>
      <image:caption>“This little piece of people’s history retains it’s eccentric, enigmatic and unconventional charm” Harriet Brace, The Reviews Hub</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605895086147-Z324PSBQXHOF7MD3B86W/06travels-with-my-aunt-broadway-baby.jpg</image:loc>
      <image:title>Travels with My Aunt - Reviews</image:title>
      <image:caption>“Phillip Breen’s direction ensures sufficient laughs without sacrificing any of the play’s intruigue and deeper moral issues” Paul F Cockburn, Broadway Baby</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605895097604-6QTXDOJRKZKEBCC041Q4/07travels-with-my-aunt-the-list.jpg</image:loc>
      <image:title>Travels with My Aunt - Reviews</image:title>
      <image:caption>“Brims with energy and fantastic central performances” Lorna Irvine, The List</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/sydney-and-the-old-girl</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-05</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/homo-loquax-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-20</lastmod>
    <image:image>
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      <image:title>Homo Loquax - Reviews</image:title>
      <image:caption>“One of the strongest political performances in fashion history” Vogue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605887333148-TIWVKC2647U1G3TX160J/02homo-loquax-RTE.jpg</image:loc>
      <image:title>Homo Loquax - Reviews</image:title>
      <image:caption>“Models stopping to speak is almost unheard of during Fashion Week, but these were no ordinary models… You cannot deny the passion and the drama” RTÉ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605887330315-E99205Y1ODFPKTNE7XEJ/03homo-loquax-paris-vogue.jpg</image:loc>
      <image:title>Homo Loquax - Reviews</image:title>
      <image:caption>“Vive la révolution de Vivienne Westwood” Paris Vogue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-provoked-wife-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1608059096389-36ST7YVLQ6LK302A8TCD/01provoked-wife-TLS.jpg</image:loc>
      <image:title>The Provoked Wife - Reviews</image:title>
      <image:caption>“Troubled brilliance…Breen’s production is funny, moving and troubling, weaving between the light and the dark" Dr David Taylor, Times Literary Supplement</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1608059098406-Q9S6ZNKPQH8FYQ03GFL1/02provoked-wife-daily-telegraph.jpg</image:loc>
      <image:title>The Provoked Wife - Reviews</image:title>
      <image:caption>“Director Phillip Breen has unleashed a monster…tilting between jest and earnest, subtlety and broad effect. The complexity of the text, it’s purring entertainment and it’s clawing viciousness, is beautifully served” Dominic Cavendish, The Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1608059095945-KOXX5TQOHZVQ1PI3HEKC/03provoked-wife-stage.jpg</image:loc>
      <image:title>The Provoked Wife - Reviews</image:title>
      <image:caption>“Outrageous and uproarious…compelling and nuanced” Dave Fargnoli, The Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1608059096580-SYI2AJ0OIZKB94ZTY3ZV/04provoked-wife-theatrecat.jpg</image:loc>
      <image:title>The Provoked Wife - Reviews</image:title>
      <image:caption>“The comedy is excellent…the tragedy though is real and angry” Libby Purves, TheatreCat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1608059097180-X2XIS3K88DC6WV3GUV2R/05provoked-wife-broadway-world.jpg</image:loc>
      <image:title>The Provoked Wife - Reviews</image:title>
      <image:caption>“Shocking and moving…a fine coup de theatre from director Phillip Breen” Gary Naylor, Broadway World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1608059097789-SW12EEMODD4CPBON9HLH/06provoked-wife-stratford-herald.jpg</image:loc>
      <image:title>The Provoked Wife - Reviews</image:title>
      <image:caption>“Breen is especially good at making the extraneous to the plot stuff indispensibly brilliant” Gill Sutherland, The Stratford Herald</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/shakespeare-in-love-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605890372504-SMB8MAGHZLFZHZ9HJ294/01shakespeare-in-love-broadway-world-awards.jpg</image:loc>
      <image:title>Shakespeare in Love - Reviews</image:title>
      <image:caption>Broadway World Best Touring Production 2019 Nomination; Broadway World Best Supporting Actress 2019 Nomination for Geraldine Alexander as the Nurse and Queen Elizabeth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605890372727-8VXWW1VZWE67BIONWJ3A/02shakespeare-in-love-daily-telegraph.jpg</image:loc>
      <image:title>Shakespeare in Love - Reviews</image:title>
      <image:caption>“The evening’s pleasure resides in its lusty theatricality, Phillip Breen directs with affection and rapier sharpness” Dominic Cavendish, Daily Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605890369953-ONLSP99SPT8B6FI5THHY/03shakespeare-in-love-whatsonstage.jpg</image:loc>
      <image:title>Shakespeare in Love - Reviews</image:title>
      <image:caption>“A cracking love letter to theatre itself and strikes gold in this stage version” Kris Hallett, What's On Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605890366173-TVX1EGV9367XK2D4GI9B/04shakespeare-in-love-broadway-world.jpg</image:loc>
      <image:title>Shakespeare in Love - Reviews</image:title>
      <image:caption>“Phillip Breen’s direction is bursting with warmth, wit and energy” Kerrie Nicholson, Broadway World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605890374378-Z43PRUVDE198L5WJJLGG/05shakespeare-in-love-oxford-mail.jpg</image:loc>
      <image:title>Shakespeare in Love - Reviews</image:title>
      <image:caption>“Directed in barnstorming style by Phillip Breen…a glorious testament to the power of theatre” Chris Gray, Oxford Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605890370075-0H2ZA0HQU8HYCEW77VO6/06shakespeare-in-love-the-stage.jpg</image:loc>
      <image:title>Shakespeare in Love - Reviews</image:title>
      <image:caption>“Lee Hall and his director Phillip Breen, provide a heady mix of comedy and romance” Jeremy Brien, The Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605890374023-XG7VJ98FGZX05KNXQTPV/07shakespeare-in-love-reviewsgate.jpg</image:loc>
      <image:title>Shakespeare in Love - Reviews</image:title>
      <image:caption>“Approaches perfection in every respect” Alan Geary, Reviews Gate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-hypocrite-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605896429480-MPQMDVXTT6XUG7I9T2ZP/01the-hypocrite-whatsonstage-awards.jpg</image:loc>
      <image:title>The Hypocrite - Reviews</image:title>
      <image:caption>What’s On Stage Awards: Best Regional Production 2017 Nomination</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605896433682-VZ438VF78V7SURVHFR1Z/02the-hypocrite-the-i.jpg</image:loc>
      <image:title>The Hypocrite - Reviews</image:title>
      <image:caption>“World class farce” Jonathan Brown, The I.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605896436814-D8H4FQP4P3ACYFCHA91A/03the-hypocrite-daily-telegraph.jpg</image:loc>
      <image:title>The Hypocrite - Reviews</image:title>
      <image:caption>“An evening of sublimely funny, knock-about mirth to rival Richard Bean’s mega-hit of 2011 One Man Two Guv’nors... brilliantly entertaining” Dominic Cavendish, Daily Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605896438284-AD17EBXHVOWK7REIT30O/04the-hypocrite-the-guardian.jpg</image:loc>
      <image:title>The Hypocrite - Reviews</image:title>
      <image:caption>“So warmly received by the audience that you could almost feel the local pride bouncing off the theatre walls” Michael Billington, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605896429621-QC6UEDUAB44GYI1EEL4T/05the-hypocrite-daily-mail.jpg</image:loc>
      <image:title>The Hypocrite - Reviews</image:title>
      <image:caption>“Now that’s what I call a history play” Quentin Letts, Daily Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605896431749-MVY4HD185THHK6PU2TFM/06the-hypocrite-whatsonstage.jpg</image:loc>
      <image:title>The Hypocrite - Reviews</image:title>
      <image:caption>“An excess of riotous invention” What’s On Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605896442906-KV4C6RIG1N7BYGK2L9N6/07the-hypocrite-the-yorkshire-post.jpg</image:loc>
      <image:title>The Hypocrite - Reviews</image:title>
      <image:caption>“Director Phillip Breen provides us with a shattering climax… positively Hogarthian” Nick Ahad, The Yorkshire Post</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/treasure-island-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
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      <image:title>Treasure Island - Reviews</image:title>
      <image:caption>“Best Christmas shows 2016” Clare Brennan, The Observer</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605971884559-2B01981BBSFPY6CPYLV1/02treasure-island-daily-telegraph.jpg</image:loc>
      <image:title>Treasure Island - Reviews</image:title>
      <image:caption>“Best Christmas shows 2016” Tim Auld, Daily Telegraph</image:caption>
    </image:image>
    <image:image>
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      <image:title>Treasure Island - Reviews</image:title>
      <image:caption>“So much to treasure” Mat Kendrick, Birmingham Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605971885089-R0EPN7MT8Z0B47UPWVLE/04treasure-island-the-reviews-hub.jpg</image:loc>
      <image:title>Treasure Island - Reviews</image:title>
      <image:caption>“Difficult to imagine a better introduction to theatre, a splendid alternative to more traditional Christmas fayre” Selwyn Knight, The Reviews Hub</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605971888107-REOGS11GG6KWR7XQDDTZ/05treasure-island-the-broadway-world.jpg</image:loc>
      <image:title>Treasure Island - Reviews</image:title>
      <image:caption>“A rollercoaster adventure that will inspire audiences of all ages, with its gorgeous sea shanties, irreverant comedy, feisty female characters and intriguing set design” Emma Cann, Broadway World</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/york-mysteries-credits</loc>
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    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/cyrano-de-bergerac-credits</loc>
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    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/true-west-reviews-london</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983775910-JIA9Y2P1GQOFVY2H1ABZ/L01true-west-the-guardian.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“The acting always felt like so much posturing until Phillip Breen’s thrillingly performed production. I had never really witnessed the play’s text and subtext, metaphor and staged reality firing on all cylinders together” Lyn Gardner, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983769763-UIGY2IOILBZVLWAI5F3N/L02true-west-daily-telegraph.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“Sam Shepard himself has rightly praised Phillip Breen’s brilliant production of this seminal 1980 play” Serena Davies, Daily Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983771730-FTL8ZRB68PM5GLL98UN7/L03true-west-financial-times.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“Phillip Breen's blistering production” Sarah Hemming, Financial Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983768903-O4J829AQPSZWLWL26C7Q/L04true-west-the-times.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“Breen delivers spectacular devastation and a giddily unhinged climax, the air full of fury and acrid smoke” Sam Marlowe, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983776697-43MJQJSNIYM2EZ412F4E/L05true-west-whatsonstage.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“The Tricycle has done London theatre a great service in importing this brilliant and lacerating revival of Sam Shepard’s signature play, intact from the Glasgow Citizens where it was seen at the end of last year” Michael Coveney, What’s On Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983773289-IZKG53YN0AKAMQ55O11Q/L06true-west-the-stage.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“Director Phillip Breen emphasises Pinteresque pauses and notes of sheer menace as these siblings face each other off in a battle for possession and control” Mark Shenton, The Stage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/orpheus-descending-credits</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/cyrano-de-bergerac-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605981294608-MR4JWIBG61W2YUP9AQBK/01cyrano-de-bergerac-daily-post.jpg</image:loc>
      <image:title>Cyrano de Bergerac - Reviews</image:title>
      <image:caption>“Stunning” Eryl Crump, Daily Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605981303194-M0QTPPD7WZXP2XNO7N9X/02cyrano-de-bergerac-the-stage.jpg</image:loc>
      <image:title>Cyrano de Bergerac - Reviews</image:title>
      <image:caption>“Phillip Breen is clearly in his directing element on the epic Anthony Hopkins stage” Roger Foss, The Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605981310143-IRVJRMVY7Q2RH39D6757/03cyrano-de-bergerac-shropshire-star.jpg</image:loc>
      <image:title>Cyrano de Bergerac - Reviews</image:title>
      <image:caption>“If Theatr Clwyd ever ran a race of its most impressive plays ever, Cyrano de Bergerac would win it by a short nose… a five-star must-see” Chris Eldon-Lee, Shropshire Star</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605981296757-BJSR989ERT4N6XL04HDI/04cyrano-de-bergerac-british-theatre-guide.jpg</image:loc>
      <image:title>Cyrano de Bergerac - Reviews</image:title>
      <image:caption>“Director Phillip Breen has pulled a master stroke” Dave Jennings, British Theatre Guide</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605981306277-66ZRMZ2BR4AXZ0AM6IQK/05cyrano-de-bergerac-arts-scene-in-wales.jpg</image:loc>
      <image:title>Cyrano de Bergerac - Reviews</image:title>
      <image:caption>“Steffan Rhodri’s towering central performance” Steve Stratford, Arts Scene in Wales</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605981300066-QYM39T2G56RM7SDBJ586/06cyrano-de-bergerac-theatre-in-wales.jpg</image:loc>
      <image:title>Cyrano de Bergerac - Reviews</image:title>
      <image:caption>“This is a glorious, ebullient and highly energetic production” Victor Hallett, Theatre in Wales</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605981306265-NOVQBG4DBOUDMVXVNGY7/07cyrano-de-bergerac-we-are-chester.jpg</image:loc>
      <image:title>Cyrano de Bergerac - Reviews</image:title>
      <image:caption>“It is clear to see that Theatr Clwyd is a jewel in the crown of regional theatre in the UK” Angela Ferguson, We Are Chester</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/york-mysteries-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978389590-3W92O44ZXE3EXRK5AVO2/01york-mysteries-culture-awards.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>Yorkshire Culture Awards 2016, Winner: Best Production</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978412013-E8EBZR0CQWN54MXLJXCO/02york-mysteries-the-observer.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“For the first time in 700 years the, the Mysteries are performed inside the Minster. The effect is visually ravishing and epic in scale” Clare Brennan, The Observer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978411184-CA64RB5XG3W9KJ0YL11W/03york-mysteries-the-guardian.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“The apocalyptic tenor of Phillip Breen’s production is vividly realised… with many breathtaking visual coups engineered throughout the course of the evening” Alfred Hickling, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978391664-XVBCRVLBPOAACCHBT72S/04york-mysteries-the-independent.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“Ambitious but relishes in minor detail” The Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978391313-JIDAZ6T4NBPKHFXHRJ3B/05york-mysteries-the-yorkshire-post.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“Philip Breen and Max Jones have created some beautifully breathtaking moments” Sarah Freeman, The Yorkshire Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978393760-UZZXF0FXY7I8BJFUG8E9/06york-mysteries-the-state-of-the-arts.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“A true spectacle and a crucial moment in the history of York” The State of The Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978412047-7MREVF2DQIEMGBPQS0AE/07york-mysteries-exeunt-magazine.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“The sense of unity across the city is alive and well in a vibrant, modern celebration of The York Mystery Plays” Louise Jones, Exeunt Magazine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978417281-J955ZHJ99X057GOF5IW0/08york-mysteries-one-and-another-creative.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“It’s a testament to director Phillip Breen and his enormous cast and crew that not only do the 2016 Mystery Plays impress, but frequently astound and amaze… a truly marvellous wondrous piece of theatre” Miles Watts, One and Another Creative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978417101-67JJP4GZS8TW2TFADBLE/09york-mysteries-the+reviews-hub.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“A visual masterpiece….A production that puts York firmly on the theatrical map. Sensational” Rich Jevons, The Reviews Hub</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978410913-1MKBUK9Q7AKTW3439Q43/10york-mysteries-british-theatre-guide.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>“A production of memorable spectacle” Mark Smith, British Theatre Guide</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605978425598-JXE182GT8K24DP41CUJU/11york-mysteries-emma-thompson.jpg</image:loc>
      <image:title>York Mysteries - Reviews</image:title>
      <image:caption>Dear Everyone, We had the enormous privilege of seeing your blindingly epic production last night - a happy day! I’ve never seen the York Cycle and it was one of the most wonderful experiences I’ve ever had - everything about it was exceptional - the design breathtaking, the direction flawless and all the acting so perfectly in tune with the text, capturing it’s agony and wit and naiveté beautifully and movingly. I wish I could have saluted you all in person, but was so happy to convey my thrill to Pontius and Mary. Great good luck with the rest of the run and thank you for an unforgettable night in that exquisite building. With love from your admirer, Emma Thompson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/sydney-and-the-old-girl-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605980309101-87LWO8ZME0S5ATVDB9IU/01sydney-and-the-old-girl-the-times.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Reviews</image:title>
      <image:caption>“O’Hare and the director Phillip Breen know how to turn the screw…bleak, yet darkly comic” Clive Davis, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605980313170-GCUWE2MGBB8M8PVV1L61/02sydney-and-the-old-girl-daily-mail.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Reviews</image:title>
      <image:caption>“The play could be a cue for cariacature in Phillip Breen’s production. But instead he’s committed to eking out each character’s private agony” Patrick Marmion, Daily Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605980301307-9VNB437M58RAFWDB5DBX/03sydney-and-the-old-girl-metro.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Reviews</image:title>
      <image:caption>“Superb… a new play could not hope for better performances” John Nathan, Metro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605980302487-VK7QZ527G0ZFW74OM76J/04sydney-and-the-old-girl-the-spectator.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Reviews</image:title>
      <image:caption>“Hilarious... brilliant... the boy wonder [O’Hare] deserves a call from the National” Lloyd Evans, The Spectator</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605980296697-5IH9T1PDJH80EKQGQ4VC/05sydney-and-the-old-girl-broadway-baby.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Reviews</image:title>
      <image:caption>“Coarse, offensive and very dark” Richard Beck, Broadway Baby</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605980308430-NYVHQ8VENRPHOFVEW5I9/06sydney-and-the-old-girl-the-reviews-hub.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Reviews</image:title>
      <image:caption>“O’Hare’s dialogue cracks and fizzes with energy... A dangerously good mother son partnership with excellent central performances” Maryam Philpott, The Reviews Hub</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605980308569-N33PNBT8KUYKBL2R9DGA/07sydney-and-the-old-girl-whatsonstage.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Reviews</image:title>
      <image:caption>“This is a horrid play” Sarah Crompton, What’s On Stage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/true-west-credits</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/sydney-and-the-old-girl-credits</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/true-west-reviews-glasgow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983593295-USV42461IZCQYFYNKDVP/G01true-west-the-guardian.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“An electrifying performance, controlled and precise, yet ever threatening to tip over in to anarchy” Mark Fisher, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983591477-2O1FBISLW27CCHNQ2XCD/G02true-west-the-independent.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“Director Phillip Breen’s masterpiece” Anna Burnside, The Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983591687-D0UY9XM1NIS4W0JHTIBY/G03true-west-the-scotsman.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“A tremendously vivid and disturbing experience” Joyce MacMillan, The Scotsman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983593198-WIYE8DV44O9FE9I8AGQK/G04true-west-the-herald.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“A relentless and increasingly demented ride” Neil Cooper, The Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1605983596713-A8NQJGWQ7HL1KIYF4B0U/G05true-west-the-public-reviews.jpg</image:loc>
      <image:title>True West - Reviews</image:title>
      <image:caption>“Explosive, exhilarating and electrifying, True West is true class” Lauren Humphreys, The Public Reviews</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/lady-chatterleys-lover</loc>
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    <priority>0.75</priority>
    <lastmod>2020-12-05</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/lady-chatterleys-lover-photos</loc>
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    <priority>0.75</priority>
    <lastmod>2022-06-04</lastmod>
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      <image:title>Lady Chatterley's Lover - Photos</image:title>
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      <image:title>Lady Chatterley's Lover - Photos</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150747449-ZJQZOGBL2MPO8P5PR8IG/eugene+ohare+as+clifford+chatterleyETT.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Photos</image:title>
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      <image:title>Lady Chatterley's Lover - Photos</image:title>
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      <image:title>Lady Chatterley's Lover - Photos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150754640-HSPDD1K7B2CFPPFJOCCP/jonah+russell+as+mellorsETT.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Photos</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150757819-0HAEC9HENHXJU3VJVRHQ/rachel+sanders+as+mrs+boltonETT.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Photos</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150755642-ITRYAW3ERWTNPXVL14OU/the+companyETT.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Photos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150757487-ROHD1Z7WJA91N3Z2IW7U/will+irvine+as+the+trades+unionistETT.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Photos</image:title>
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  </url>
  <url>
    <loc>https://www.phillipbreen.com/lady-chatterleys-lover-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150224937-B1B7BZZMKUYZMGBPCGF9/01lady-chatterleys-lover-daily-mail.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“Breen’s production is a soulful affair…his focus on the tenderness and pain of human relations” Patrick Marmion, Daily Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150236206-POEZ08W3BQC9CVIDE39T/02lady-chatterleys-lover-daily-telegraph.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“His production opens up the depth of Connie’s nervous breakdown... the early scenes brittle as shards of glass... a furious tirade against the tyranny of class and money” Claire Allfree, Daily Telegraph</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150239556-Q02P3RVC3TOOIJF4CTO3/03lady-chatterleys-lover-the-left-lion.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“Superbly brought to life in Phillip Breen’s bold adaptation” The Left Lion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150247769-U3TZ8Z1OD8IVGH7WIYU5/04lady-chatterleys-lover-york-press.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“Tenderness, Lawrence’s alternative title, holds sway in Breen’s account, but he lets us see the changing world too...” Charles Hutchinson, York Press</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150235895-39ZM9AIAAFQ5D0ETGSE7/05lady-chatterleys-lover-north-west-end.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“This dazzling new adaptation, with nothing left out brings Lawrence’s powerful tale of sexual awakening and class conflict to the stage” Lottie Davis-Browne, North-West End</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150225431-W2LTNXUG3O4WK1V3UID7/06lady-chatterleys-lover-oxford-mail.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“This definitive version should not be missed” Gary Bills-Geddes, Oxford Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150246835-PPZTGUYUQ1PTDAH3YVNS/07lady-chatterleys-lover-brighton-gscene.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“I walked in to the Theatre Royal Brighton, slightly cynical, wondering why I was going to see a period romp and left with my heart open, my mind engaged and the thought that hope is abroad in the world still” Eric Page, GScene</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150232316-E0W1EKD5Z2RQC4OE0ITE/08lady-chatterleys-lover-brighton-argus.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“Perfectly poignant” Andrew Gifford, Brighton Argus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606150249235-YCGBTUMY8SBUHU0K7TFJ/09lady-chatterleys-lover-cambridge-evening-news.jpg</image:loc>
      <image:title>Lady Chatterley's Lover - Reviews</image:title>
      <image:caption>“In Constance Chatterley’s central dilemmas (loyalty or lust, marriage or motherhood, which man to love) and the heartbreak that she, her unfortunate husband and her lover all go through over the course of the two hour play... also heartrending, intense, moving and ultimately rather beautiful. I wasn't expecting that.” Jude Clark, Cambridge Evening News</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/threeway-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228784814-HLW8YVNQQ79FUC19Q6DK/01threeway-the-independent.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“Confusing? Initially, yes, but thanks to some laser-precision directing from Phillip Breen it soon settles down as the characters come to terms with the real truths behind the fantasy” Alice Jones, The Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228782673-9DIV95DWPJ4AZNIJIDUT/02threeway-the-stage.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“Funny, sad, inventive, this comedy will find more than consenting partners wherever it goes” Nick Awde, The Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228777048-ALO2ZQB3Z3VVPLFA7CP9/03threeway-broadway-world.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“A Freaky Friday type threeway bodyswap meets a firmly Scottish sex comedy” Amy Hanson, Broadway World</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228787007-19HDVE8VVYU770FIB6JK/04threeway-a-younger-theatre.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“There can’t be many shows at this year’s Fringe with a madder premise than Threeway. What opens as a naturalistic comedy of manners and sexual adventure soon becomes something far stranger – and very much funnier” Lauren Moody, A Younger Theatre</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228778509-BGGDEYDRJOE8MELEKIGP/05threeway-three-weeks.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“Threeway is beautifully original and utterly hilarious” Imogen Calderwood, Three Weeks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228782583-F8BD51WLA06BXHUMZVD0/06threeway-one4review.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“There’s another amourously challenged couple at the heart at the heart of his play, but this time DC Jackson throws in a third man, with unintended consequences” One4Review</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228792919-IHSLYQH1CLEE2OKC5JM3/07threeway-spoonfed.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“If you’ve ever fantasised about having a threesome, there’s a very good chance you may rewire that fantasy after seeing Threeway…” Crystal Bennes, Spoonfed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606228791203-DXAYAQ003XCOUGGR8KCA/08threeway-exeunt.jpg</image:loc>
      <image:title>Threeway - Reviews</image:title>
      <image:caption>“Edinburgh is flooded with sex-driven romantic sex comedies but Threeway sits at the top of this generic heap” Colin Bramwell, Exeunt</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/sex-with-a-stranger-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230112833-4FDZXYDKF70GILE56WYZ/01sex-with-a-stranger-the-independent.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“Phillip Breen’s immaculately timed and acted production…” Paul Taylor, The Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230128656-0JSWUISHX2LOQGSQQTJ8/02sex-with-a-stranger-daily-telegraph.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“The play is artistically subtle, with its clever, non-linear time scheme, and the director Phillip Breen and his outstanding cast skilfully lay bare the the deeper feelings that underlie the apparently banal surface of the dialogue. There is a shard of ice at this play’s heart and one leaves it with a shiver” Charles Spencer, Daily Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230115675-UKSYHK1BDSKWJWJV6EF8/03sex-with-a-stranger-london-evening-standard.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“Phillip Breen’s intimate production is absorbing and the committed performances make this a satisfying, unsettling experience” Henry Hitchings, London Evening Standard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230124533-13HT7N6VYP81VN7YXYDL/04sex-with-a-stranger-whatsonstage.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“Golaszewski’s director Phillip Breen has served up this play with real flair and deftness. The acting of all three performers is unbeatable, perfectly pitched and nuanced in the tiny space…” Michael Coveney, What’s On Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230111948-5DIYXHV2GE1JG40G6Z56/05sex-with-a-stranger-the-observer.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“Bleakly funny, when presented as forensically as this…” Tom Lamont, The Observer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230125136-Q4ZE8H4PA4XZJP1RTXII/06sex-with-a-stranger-the-huffington-post.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“Director Phillip Breen, like the writer, are masters of saying so much, while using so little” Chris Cox, The Huffington Post</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230131873-H2Y2X45KI0J6LF3KNU9A/07sex-with-a-stranger-spoonfed.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“Golaszewski and director Phillip Breen have zeroed in on in an unflinching almost grubby realism” Catherine Love, Spoonfed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230119534-EJ3CPCVUG5CIS5EA6H4G/08sex-with-a-stranger-the-londonist.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“All three of the cast are superb” Zoe Craig, The Londonist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230130834-D6HZV6K07C4H9CUVTLGE/09sex-with-a-stranger-a-younger-theatre.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“Phillip Breen’s direction is beautifully suited to this realistic piece and is executed with the use of very little scenery. Breen’s approach is simple and honest” Ryan Ahem, A Younger Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606230124323-K9HKP5TJFWD29ID0F3ES/10sex-with-a-stranger-gaydar-radio.jpg</image:loc>
      <image:title>Sex With A Stranger - Reviews</image:title>
      <image:caption>“A one night stand you won’t forget” Joseph Cattell, Gaydar Radio</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/party-tom-basden-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238022627-4YHPNO77CNF39YQCZJDM/02party-fringe-first.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>The Scotsman Fringe First 2009 Winner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238038069-1VXYIMDGXOP48YE3HY50/01party-the-independent.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“Basden’s deftly written script injects new life in to the hoary old genre of political satire and the excellent quintet deliver it with perfect timing” Alice Jones, The Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238022080-2MXOKJG70K177KB8KA9E/03party-sydney-morning-herald.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“It shines via nimble comic rhythms in the direction and writing” Lenny Ann Low, Sydney Morning Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238020040-ABRPFFB5K0K573BC57BA/04party-the-guardian.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“A production by Phillip Breen that's chock-full of gags and charisma” Brian Logan, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238022950-RDIQINAIUAFPWB9KQ2BX/05party-the-independent.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“A charmingly funny comedy” Paul Taylor, The Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238021604-PREVHYMENLJ3ND28L65A/06party-the-observer.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“A beautiful ensemble performance from this cast of stand ups” Stephanie Merritt, The Observer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238029994-P1EBWZDN189LK59AIVBU/07party-metro.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“Basden and co deliver and hour that promises comedy and doesn’t go back on its word” Metro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238043883-HPW9VMPXZIM9JQXVEDWO/08party-esquire.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“Some fine, clever, writing…with some of the rising stars of British comedy, it’s got our vote” Esquire</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238029536-OBOUTLPG913YQM5EN2XY/09party-the-londonist.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“A work of comic perfection” The Londonist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238044475-BA2YG5TL2YUV6ZE0NVE3/10party-the-scotsman.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“This is a play that speaks volumes about people and politics - but just as importantly, it’s one that will keep you laughing from start to finish” David Pollock, The Scotsman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238039507-IJZR5D0QSM43EABZMGER/11party-the-times.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“It might be merely silly if the playing wasn’t so sublimely straight and is Basden’s lines weren’t so sharp” Dominic Maxwell, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238045405-W04ZQNR0O2HEBN06FK4P/12party-the-list.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“A tight, hilarious comic play” Theatre Hitlist, Brian Donaldson, The List</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606238039257-X3P4UUUH9289E71ON0KK/13party-metro.jpg</image:loc>
      <image:title>Party - Reviews</image:title>
      <image:caption>“The funniest play on the fringe? It certainly gets my vote” Alan Chadwick, Metro</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/a-day-in-the-death-of-joe-egg-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606232725064-KFPCT1TXZKM4VEP5BIGH/01joe-egg-the-scotsman.jpg</image:loc>
      <image:title>A Day in the Death of Joe Egg - Reviews</image:title>
      <image:caption>“Superb and heartbreaking” Joyce McMillan, The Scotsman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606232726493-FZ7TNP4M2RMBUZ48P663/02joe-egg-the-times.jpg</image:loc>
      <image:title>A Day in the Death of Joe Egg - Reviews</image:title>
      <image:caption>“Phillip Breen’s supple, fluent direction... Jupp and Tansey will break your hearts. Gripping stuff” Robert Dawson Scott, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606232726983-CN7FE7676BV04VDBLTSH/03joe-egg-the-herald.jpg</image:loc>
      <image:title>A Day in the Death of Joe Egg - Reviews</image:title>
      <image:caption>“Phillip Breen's production flits between music hall archness and gut-wrenching seriousness” Neil Cooper, The Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606232725446-I6XDIINGX1CFB3RN8ZEY/04joe-egg-sunday-herald.jpg</image:loc>
      <image:title>A Day in the Death of Joe Egg - Reviews</image:title>
      <image:caption>“Phillip Breen has a strong sense of the vaudevillian aspect to the drama” Mark Brown, Sunday Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606232725911-K3B41LN88KCZEXJ4U3XX/05joe-egg-the-guardian.jpg</image:loc>
      <image:title>A Day in the Death of Joe Egg - Reviews</image:title>
      <image:caption>“It gets funnier as it gets bleaker, making the central dilemma more intractable still” Mark Fisher, The Guardian</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/holes-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606227710138-MPISR5YE0C7SJK71F3RK/01holes-time-out.jpg</image:loc>
      <image:title>Holes - Reviews</image:title>
      <image:caption>“It’s a lot cleverer than its bantering tone suggests and a lot funnier than anything that ratchets so gleefully through the lost luggage of our collective dignity has any right to be...” Critics’ Choice, Stewart Pringle, Time Out</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606227705578-323C8ELXG2HSRO0HGU4L/02holes-sunday-times.jpg</image:loc>
      <image:title>Holes - Reviews</image:title>
      <image:caption>“The Beach meets Beckett, but with more laughs” Critics Choice, Olivia Marks, The Sunday Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606227705649-2V7BJMNM9UCEFY8F72XM/03holes-british-theatre-guide.jpg</image:loc>
      <image:title>Holes - Reviews</image:title>
      <image:caption>“It’s difficult to find a fault; it’s intelligent when you dig deep and an absolute blast on the surface” Adam Penney, British Theatre Guide</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606227710657-HZDJZHBWR24TEVSG10GJ/04holes-the-upcoming.jpg</image:loc>
      <image:title>Holes - Reviews</image:title>
      <image:caption>“Holes descends on the Arcola Tent, the most unassuming but spectacularly set up DIY venue in East London, powered by the award-winning combination of writer Tom Basden and director Phillip Breen” Donna Mackay, The Upcoming</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-caretaker-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321375077-7D7MP7MROKLWR17FNSSM/01the-caretaker-sunday-herald.jpg</image:loc>
      <image:title>The Caretaker - Reviews</image:title>
      <image:caption>“The Caretaker confirms Breen’s occasional offerings at the Citz as the theatre’s best work over the past five years” Mark Brown, Sunday Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321372841-JBSPIPEVGOO4J099FJ24/02the-caretaker-the-guardian.jpg</image:loc>
      <image:title>The Caretaker - Reviews</image:title>
      <image:caption>“Phillip Breen’s careful production draws us quietly in to this sad portrait of male lonliness” Mark Fisher, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321370901-JJEPMPFNO5RVCQ7E38XQ/03the-caretaker-the-times.jpg</image:loc>
      <image:title>The Caretaker - Reviews</image:title>
      <image:caption>“Quality stuff all round” Robert Dawson Scott, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321376920-0D443NYD59A0ON18NV3G/04the-caretaker-daily-telegraph.jpg</image:loc>
      <image:title>The Caretaker - Reviews</image:title>
      <image:caption>“Phillip Breen makes a successful return to Clydeside with a deceptive presentation of The Caretaker” Mark Brown, Daily Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321377888-HJIOO7TBYEKTHR3SS118/05the-caretaker-the-herald.jpg</image:loc>
      <image:title>The Caretaker - Reviews</image:title>
      <image:caption>“There’s something mischievously arch about Phillip Breen’s main-stage production, which recalls every absurdist sitcom from Steptoe and Son right through to the Mighty Boosh” Neil Cooper, The Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321374748-3S8KDK9SJ7ETJCH81U2R/06the-caretaker-the-stage.jpg</image:loc>
      <image:title>The Caretaker - Reviews</image:title>
      <image:caption>“Breen rediscovers Pinter as a dark humourist with a warm humanism” Gareth Vile, The Stage</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/humphrey-ker-dymock-watson-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233719632-D2J1PUVHAO2HQRU5MXZB/01dymock-watson-the-times.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Nothing prepared me for the density of invention here... Really pretty magical” Dominic Maxwell, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233713234-07H87TCO9JD21RTKHFL0/02dymock-watson-the-independent.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“A class act” Alice Jones, Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233784353-8J7BBRI8GV7WVPZ0ETIO/03dymock-watson-the-list.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Pip, pip and bravo to all that, old chap” Anna Millar, The List</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233713927-1MWKCYKSZ5LSNM660XYI/04dymock-watson-the-scotsman.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Properly, consistently funny” Fiona Shepherd, The Scotsman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233726253-IEZHP0X9QAE7KLXC4QXK/05dymock-watson-chortle.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Although the performance is impressive, the real joy is in the gag-heavy script..Ker deploys language with rare skill…expertly executed” Steve Bennett, Chortle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233785384-BJML4CGV7Z1LIDSK8HN1/06dymock-watson-broadway-baby.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“It really is frightfully, frightfully good” Broadway Baby</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233719526-GM9EGWZ4KM2ONZ0F4E6X/07dymock-watson-fringe-review.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Impeccable” Vivienne Egan, Fringe Review</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233719549-KD8HJS3JDQERKWH378Y3/08dymock-watson-three-weeks.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Five Swastikas” Joseph Fleming, Three Weeks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233727507-WHQTAOXSBU1U8972HSND/09dymock-watson-whatsonstage.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“A slick stylish show that manages to be generous and warm hearted” David Kettle, What’s On Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233724437-7ARBXI0KS365WQ6XHQRX/10dymock-watson-british-theatre-guide.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Not since Evelyn Waugh’s The Sword Of Honour has the Second World War seemed so ridiculous” Seth Ewin, British Theatre Guide</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606233723276-GA3U3RBNNREWADIMGMUZ/11dymock-watson-fest.jpg</image:loc>
      <image:title>Humphrey Ker is Dymock Watson: Nazi Smasher! - Reviews</image:title>
      <image:caption>“Bayonet-in-the-abdomen funny” Si Hawkins, Fest</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/im-hans-christian-andersen-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235876583-R9C6KUSFVTPCHA8LJNNC/01im-hans-christian-andersen-the-times.jpg</image:loc>
      <image:title>I'm Hans Christian Andersen - Reviews</image:title>
      <image:caption>“Rachel Rose Reid is a young contemporary storyteller of immense skill and breathless conviction” Donald Hutera, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235878305-2E0F1JC3TJOHH59K8ZLH/02im-hans-christian-andersen-the-independent.jpg</image:loc>
      <image:title>I'm Hans Christian Andersen - Reviews</image:title>
      <image:caption>“Directed by Phillip Breen, it’s a classy, compelling hour” Alice Jones, The Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235878833-4SS1EMUIGQZBJE8TCE2E/03im-hans-christian-andersen-british-theatre-guide.jpg</image:loc>
      <image:title>I'm Hans Christian Andersen - Reviews</image:title>
      <image:caption>“It’s like Peter Shaffer reimagining Mozart - an artistic life retold, as the vehicle for another artist’s ideas and preoccupations. It’s marvellous” Corinne Salisbury, British Theatre Guide</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235876205-WTUU8ICT72J9JWGFS60G/04im-hans-christian-andersen-hairline.jpg</image:loc>
      <image:title>I'm Hans Christian Andersen - Reviews</image:title>
      <image:caption>“Watching her perform is a joy to behold” Martin Millar, Hairline</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235874210-DS5NY1B7ND8CB5QDZBX3/05im-hans-christian-andersen-all-the-festivals.jpg</image:loc>
      <image:title>I'm Hans Christian Andersen - Reviews</image:title>
      <image:caption>“Highly engrossing and weirdly wonderful” David Marren, All The Festivals</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-hard-man-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235258151-U591IMQA6F8Z9TJR0SMD/01the-hard-man-the-news-of-the-world.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“2011’s Must See Show” The News Of The World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235276923-OHCP0CN1BMCIFV03R5M6/02the-hard-man-the-scotsman.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“It’s a tremendous tribute to the intelligence and thoughtfulness of Phillip Breen’s new production for the Scottish Theatre’s Consortium, that it remains true to that complex rhythm in McGrath’s work rather than trying to simplify or popularise it...” Joyce McMillan, The Scotsman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235271599-B21V2EU9KJUKYIF0WQF4/03the-hard-man-the-guardian.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“Phillip Breen’s handsome production is set to a live score of cymbal ticks and drum rolls, turning the everyday dialogue in to syncopated jazz poetry” Mark Fisher, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235275318-SK1MOO5MUPCD4XUFXNW8/04the-hard-man-the-herald.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“What emerges in Phillip Breen’s production is a music-hall sketchbook of cartoon dead-end kids and choreographed violence counterpointed by old time dance hall classics” Neil Cooper, The Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235254190-QLD4GW75UEVZIPK6G0GQ/05the-hard-man-the-daily-record.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>[Five stars] The Daily Record</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235272880-VBAWD7LJ0KL645L60RD2/06the-hard-man-whatsonstage.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“A carefully judged, intense production by Phillip Breen” Keith Patterson, What’s On Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235275590-FVWKLBYFMKWM7KSOV0BU/07the-hard-man-edinburgh-spotlight.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“This production could be considered timeless” Chiara Pannozzo, Edinburgh Spotlight</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235266901-210UNM1O6HT2YMXWF9SW/08the-hard-man-edinburgh-guide.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“Powerful, violent, bleak and gobsmacking, this is one cracking show…Truly unnerving and utterly brilliant” Alex Eades, Edinburgh Guide</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606235276235-HHGXX6OKX9MPSH8R3L4Q/09the-hard-man-onstage-scotland.jpg</image:loc>
      <image:title>The Hard Man - Reviews</image:title>
      <image:caption>“Without question one of the year’s best productions. Exhilarating, chilling and thought provoking. This should not be missed” Michael Cox, Onstage Scotland</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/two-princes-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321927568-DO2CTW1UT6J7Z1UB03BG/01two-princes-theatre-in-wales.jpg</image:loc>
      <image:title>Two Princes - Reviews</image:title>
      <image:caption>“This is an exhilarating and richly enjoyable play in a stunning production that must have a longer life than this short run. It should be seen right across Wales and over the border too” Victor Hallett, Theatre in Wales</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321925757-JVZ6TJLYQYZPMPPVD88O/02two-princes-planet-magazine.jpg</image:loc>
      <image:title>Two Princes - Reviews</image:title>
      <image:caption>“It boldly opened with a scene set in the twelfth century and switched to a public meeting. Writer Barker and director Phillip Breen mounted the best scene of its kind since David Edgar did it with Destiny...” Adam Somerset, Planet Magazine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-stefan-golaszewski-plays-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320988037-UIXZVWMHFDH3AVA1FEB8/02stefan-golaszewski-plays-fringe-first.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>The Scotsman Fringe First 2008 Winner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320987841-PQRUABADYCVKI53HB0G0/03stefan-golaszewski-plays-stage-awards.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>The Stage Awards 2008 Best Solo Performance Nominee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320996652-84R5Z2AP4JCOVZ895J11/01stefan-golaszewski-plays-daily-telegraph.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>“I emerged from the theatre two hours twenty minutes later feeling elated, moved and wanting to shout this show’s praises from the rooftops... Stefan Golaszewski is a very special talent indeed” Charles Spencer, Daily Telegraph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320997085-1CE26SI8DQDZ1FHS8DCF/04stefan-golaszewski-plays-the-independent.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>“I didn’t just love the Stefan Golaszewski Plays, I adored them” Paul Taylor, Independent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320990777-00K17I9X2MIR2HD1A8QQ/05stefan-golaszewski-plays-the-list.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>“Arguably the most striking Fringe debut since Enda Walsh’s Disco Pigs” The List</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320991182-BD1MYQFDOPXWDXQBATQD/06stefan-golaszewski-plays-three-weeks.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>“A gutsy masterpiece. An hilarious work of art” Three Weeks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320995923-MKXMO643HW04IUFUWLEG/07stefan-golaszewski-plays-broadway-baby.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>“A masterfully touching piece” Broadway Baby</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606320998134-DT2UD7F2X07ML5MXEZ73/08stefan-golaszewski-plays-metro.jpg</image:loc>
      <image:title>The Stefan Golaszewski Plays - Reviews</image:title>
      <image:caption>“A stunning performance... Devastating” Alan Chadwick, Metro</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/suddenly-last-summer-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606322416998-1CT40XJ2NTHC6JH3FLYZ/01suddenly-last-summer-the-western-mail.jpg</image:loc>
      <image:title>Suddenly Last Summer - Reviews</image:title>
      <image:caption>“A scorching production” The Western Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606322422346-E3KUV2Y7C2J40RRGHDAM/02suddenly-last-summer-liverpool-daily-post.jpg</image:loc>
      <image:title>Suddenly Last Summer - Reviews</image:title>
      <image:caption>“Liverpool-born director Phillip Breen – who last year tucked in to a terrific version of Pinter’s The Birthday Party – takes a firm grasp of dialogue that gradually build to a shattering conclusion. Awesome stuff” Liverpool Daily Post</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/dumb-show-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321198134-8SOE4FWLVVP0NX1CFHBZ/01dumb-show-the-guardian.jpg</image:loc>
      <image:title>Dumb Show - Reviews</image:title>
      <image:caption>“Breen’s production is finely acted” Alfred Hickling, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321200674-L956V98TIZD3Q7OO42PX/02dumb-show-staffordshire-sentinel.jpg</image:loc>
      <image:title>Dumb Show - Reviews</image:title>
      <image:caption>“Gut wrenchingly uncomfortable and also funny” Tamzin Hindmarch, Staffordshire Sentinel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/measure-for-measure-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321514215-IVIFIOJCARH3Z8SP9J5L/01measure-for-measure-shakespeare-survey.jpg</image:loc>
      <image:title>Measure for Measure - Reviews</image:title>
      <image:caption>“Phillip Breen’s intense and searching Measure for Measure... showed a director taking risks and pulling them off” Professor Carol Rutter, Shakespeare Survey 62, November 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321518630-6UC138PQXBR8KLUQIOW0/02measure-for-measure-theatre-in-wales.jpg</image:loc>
      <image:title>Measure for Measure - Reviews</image:title>
      <image:caption>“Reading between the lines this might be Phillip Breen’s first ever Shakespeare production. If that is the case then Clwyd Theatr Cymru should take a pause for a short interval of self congratulation for an interpretation that is tight, intelligent and unshowy” Adam Somerset, Theatre in Wales</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321510509-Q1EVM43VJLH8BI7SISP5/03measure-for-measure-the-stage.jpg</image:loc>
      <image:title>Measure for Measure - Reviews</image:title>
      <image:caption>“Exhilarating and often very funny” Victor Hallet, The Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606321512449-3ILAQQ6XAII0VP027T0R/04measure-for-measure-the-western-mail.jpg</image:loc>
      <image:title>Measure for Measure - Reviews</image:title>
      <image:caption>“Phillip Breen brings a fresh eye to what has been considered a problem play” The Western Mail</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-shadow-of-a-gunman-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323039201-59WXUXJP4I058L39SGD4/01the-shadow-of-a-gunman-sunday-herald.jpg</image:loc>
      <image:title>The Shadow of a Gunman - Reviews</image:title>
      <image:caption>“In Phillip Breen’s fine cast you can hear a bible-black comic reflection on the tragedies of the present” Mark Brown, Sunday Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323046129-DIZAJ99AG0FZ35UNCPRR/02the-shadow-of-a-gunman-the-guardian.jpg</image:loc>
      <image:title>The Shadow of a Gunman - Reviews</image:title>
      <image:caption>“Time and space are the distinguishing qualities of Phillip Breen’s staging of this Sean O’Casey classic. He takes two diversions from the tradition presentation of the Dublin tenement tragedy; both are risky and both pay off...” Mark Fisher, The Guardian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323037276-7D2YXXQ66N1TI18G2EM5/03the-shadow-of-a-gunman-the-times.jpg</image:loc>
      <image:title>The Shadow of a Gunman - Reviews</image:title>
      <image:caption>“Phillip Breen’s first class production...captures our hearts” Robert Dawson Scott, The Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323046454-YFKK3X80ET9MU07KT7T0/04the-shadow-of-a-gunman-metro.jpg</image:loc>
      <image:title>The Shadow of a Gunman - Reviews</image:title>
      <image:caption>“Director Phillip Breen opts for a bleak cold eyed approach in reigning in the second act, one that chimes with Ireland’s troubles to come and today’s climate of the war on terror…a production of entertaining clarity” Alan Chadwick, Metro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323042779-O9XLODVSPNAZW7YPSAU2/05the-shadow-of-a-gunman-the-scotsman.jpg</image:loc>
      <image:title>The Shadow of a Gunman - Reviews</image:title>
      <image:caption>“Phillip Breen’s production is a fine, dark, murky, and intense affair, played without an interval” Joyce McMillan, The Scotsman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323042905-WI6GKQ2EM9ZJ62EXY0L6/06the-shadow-of-a-gunman-the-list.jpg</image:loc>
      <image:title>The Shadow of a Gunman - Reviews</image:title>
      <image:caption>“Phillip Breen’s The Shadow Of A Gunman is the Citizens Theatre’s most courageous piece of programming in recent times” The List</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-birthday-party-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323683042-AK9Z9LAKRLT2GJIJEQFF/01the-birthday-party-the-western-mail.jpg</image:loc>
      <image:title>The Birthday Party - Reviews</image:title>
      <image:caption>“A worthy debut at at Mold for young director Phillip Breen... It is a breathtaking evening that grips the audience by both heart and mind” The Western Mail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323683960-SLL27P2VBEQPR5WEFIFX/02the-birthday-party-the-stage.jpg</image:loc>
      <image:title>The Birthday Party - Reviews</image:title>
      <image:caption>“Phillip Breen’s savagely powerful production” The Stage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323683260-R8HC0Q20RZ7XYC38XDO9/03the-birthday-party-north-west-enquirer.jpg</image:loc>
      <image:title>The Birthday Party - Reviews</image:title>
      <image:caption>“Mr Breen, despite his tender years, burls the cast in to the fray with a gusto that is at times breathtaking” North West Enquirer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606323680501-0T6ZDMT4JIAU12UOXRS3/04the-birthday-party-reviewsgate.jpg</image:loc>
      <image:title>The Birthday Party - Reviews</image:title>
      <image:caption>“A Birthday Party so clear, intense and modern doesn’t come along every year” ReviewsGate</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-provoked-wife-interviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-26</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-zam-zam-room-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606325951765-ZHRBKZGX66D01PLVA4CH/01the-zam-zam-room-the-new-york-times.jpg</image:loc>
      <image:title>The Zam Zam Room - Reviews</image:title>
      <image:caption>“The Hip Messiah has returned... in a production staged, beautifully and simply by Phillip Breen” Jason Zinoman, The New York Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606325943321-SF9WXN95ZPHEF1OOXKA4/02the-zam-zam-room-off-broadway-pick.jpg</image:loc>
      <image:title>The Zam Zam Room - Reviews</image:title>
      <image:caption>Time Out New York ‘Off-Broadway Pick of 2005’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606325941671-PT5VMNEIP3C9JTN8K7S9/03the-zam-zam-room-stony-awards.jpg</image:loc>
      <image:title>The Zam Zam Room - Reviews</image:title>
      <image:caption>Stony Awards 2005 Best Production Nomination</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606325950752-G6ECXAMWP6BOH04ED3QD/04the-zam-zam-room-the-new-yorker.jpg</image:loc>
      <image:title>The Zam Zam Room - Reviews</image:title>
      <image:caption>“Broder gives Buckley none of the stand-up comic’s urge to be liked; he works the room not for laughs but for mind expanding exhilaration…The actor’s ardent delivery produces a sensation of giddy freefall” Off Broadway Pick, The New Yorker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606325951134-SQZUUQ7JF5UTZZ8ATUBD/05the-zam-zam-room-the-new-york-sun.jpg</image:loc>
      <image:title>The Zam Zam Room - Reviews</image:title>
      <image:caption>“Broder’s delivery and Phillip Breen’s direction quickly lay down an unfamiliar and mesmerising rhythm” The New York Sun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606325944460-R09X5C1FN3OJ10YTZRTC/06the-zam-zam-room-time-out-new-york.jpg</image:loc>
      <image:title>The Zam Zam Room - Reviews</image:title>
      <image:caption>“Hilarious, outrageous and wildly original... delicious” Time Out, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606325951645-PQB7NT2N32XOAMJQ1MW1/07the-zam-zam-room-theater-gateway.jpg</image:loc>
      <image:title>The Zam Zam Room - Reviews</image:title>
      <image:caption>“Pretty far out stuff, pretty hip, this powerhouse show that hardly lets you take a breath” Theater Gateway</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/crime-and-punishment-trailer</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-26</lastmod>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-provoked-wife-photos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606391744284-0AZB9K1J6QRV7O1NQF4H/01PRW0118.jpg</image:loc>
      <image:title>The Provoked Wife - Photos</image:title>
      <image:caption>The Provoked Wife, Swan Theatre, Stratford-upon-Avon. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606391740627-DUAR12VNKBZOEIUTX7UW/02PRW0153.jpg</image:loc>
      <image:title>The Provoked Wife - Photos</image:title>
      <image:caption>Caroline Quentin. The Provoked Wife, Swan Theatre, Stratford-upon-Avon. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606391749732-DXO0YEHYSQK0LH8JN5JJ/03PRW0368.jpg</image:loc>
      <image:title>The Provoked Wife - Photos</image:title>
      <image:caption>Sarah Twomey. The Provoked Wife, Swan Theatre, Stratford-upon-Avon. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606391750716-RGMV33VK11JQE416AF8B/04PRW0212.jpg</image:loc>
      <image:title>The Provoked Wife - Photos</image:title>
      <image:caption>The Provoked Wife, Swan Theatre, Stratford-upon-Avon. Photo © RSC / Pete Le May.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606391758336-TUQZD0AX6MGFVIQN3CZQ/poster.jpg</image:loc>
      <image:title>The Provoked Wife - Photos</image:title>
      <image:caption>The Provoked Wife © RSC.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/the-resistible-rise-of-arturo-ui-reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-11-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606326736384-G4X3BCI55JB20WIJELDH/01arturo-ui-the-list.jpg</image:loc>
      <image:title>The Resistible Rise of Arturo Ui - Reviews</image:title>
      <image:caption>“Highly stylised and brilliantly bold” Mark Brown, The List</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606326742718-YISKZCROIKW780GFOMD1/02arturo-ui-the-scotsman.jpg</image:loc>
      <image:title>The Resistible Rise of Arturo Ui - Reviews</image:title>
      <image:caption>“Philip Prowse signs off by handing the stalls studio over to brilliant young director, Phillip Breen, winner of last year’s Channel 4 Award for a brilliantly staged adaptation of Brecht’s classic” Joyce McMillan, The Scotman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606326740288-AA372TZ5OJFDH1WDW8R0/03arturo-ui-the-herald.jpg</image:loc>
      <image:title>The Resistible Rise of Arturo Ui - Reviews</image:title>
      <image:caption>“Comes on like a slick cartoon noir somewhere between Citizen Kane and Robin Hood And The Seven Hoods” Neil Cooper, The Herald</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606326736961-MHJZI8YHRMMDJQZR8F54/04arturo-ui-the-sunday-times.jpg</image:loc>
      <image:title>The Resistible Rise of Arturo Ui - Reviews</image:title>
      <image:caption>[Five stars] The Sunday Times</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606326735942-H2AC5YCL3RJ74IMD4YKH/05arturo-ui-sunday-herald.jpg</image:loc>
      <image:title>The Resistible Rise of Arturo Ui - Reviews</image:title>
      <image:caption>[Five stars] Sunday Herald</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.phillipbreen.com/sydney-and-the-old-girl-photos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388906893-O4DZCLOGJCRNU2C8B7U7/PeteLeMay_PLM191031_143727.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388914149-F96SN95R6V41JJG13SQ9/PeteLeMay_PLM191031_143356.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388912081-CC13GO5U8GQSWLXH4W56/PeteLeMay_PLM191031_143623.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388921902-B7V1RBIZH6LAILJL04TG/PeteLeMay_PLM191031_144120.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388912237-9TWYMTTAR9YF6K86L4MB/PeteLeMay_PLM191031_144311+%281%29.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388936801-Q5D1JXMTY4CRFHOE73HZ/PeteLeMay_PLM191031_144626+%281%29.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388959855-7PSD70NBCU4XQNP06WIZ/PeteLeMay_PLM191031_144927.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388925310-Q1HHVJXOFZWU64GLFQTS/PeteLeMay_PLM191031_144818.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388960530-G9KUHEL6YDEY1RGVMLDE/PeteLeMay_PLM191031_145148.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606388958986-NHTOD11ZMQ2D2CLRZQ8F/PeteLeMay_PLM191031_145243.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606389014927-ULBN5PGC3TM555084OO3/PeteLeMay_PLM191031_150636.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606389004163-LV6ZXYU26S9PLD70UA2R/PeteLeMay_PLM191031_150756.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606389012621-06T7C54ZEBAWECM6RLM4/PeteLeMay_PLM191031_151132+%281%29.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5de3e6d2046bfb288309ae28/1606389012378-PC7T37PBC9EMF97PE7BZ/PeteLeMay_PLM191031_151147.jpg</image:loc>
      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Sydney and the Old Girl - Photos</image:title>
      <image:caption>Sydney and the Old Girl, Park Theatre. Photo © Pete Le May. All rights reserved.</image:caption>
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      <image:caption>Sex With A Stranger by Stefan Golaszewski, Trafalger Studios, 2012. Photo © Pete Le May. All rights reserved.</image:caption>
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      <image:caption>Sex With A Stranger by Stefan Golaszewski, Trafalger Studios, 2012. Photo © Pete Le May. All rights reserved.</image:caption>
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  <url>
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    <lastmod>2020-12-03</lastmod>
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    <lastmod>2022-06-04</lastmod>
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      <image:caption>“Sex, hugs…and very droll” Gill Sutherland, Stratford Herald</image:caption>
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